Pick the workflow that matches what you need to create.
Describe what you want and a model builds it from nothing.
Start from a picture you already have — edit it, extend it, or set it in motion.
Bring footage in and restyle, resize, sync or join it.
Make a voice or a track, and take the sound out on its own.
Cut what you already have. No credits, and nothing leaves your device.
A devotional film in low golden haze: saffron flags above a crowd of hundreds, hands folded, and one singer at the front lifting the brass lamp. Send one photograph and the singer is you. The crowd, the flags, the lamp, the light and the grade are untouched — the film is rebuilt frame for frame and only the face at the front changes.
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The same Vrindavan journey in twelve shots, held longer on the close-ups so the kajal, the kundan and the gold read fully. 1080p, thirty seconds, from one photo of you.
One photo becomes a 30-second cinematic reel — through flower groves, riverside ghats and a moonlit temple courtyard, in full bridal gold, beside Krishna.
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Fifteen seconds of a mirror-finish wine-red slip dress in six beat-cut shots — pearl-trimmed square neckline, open V-back, a sheen that reads as movement every time she pivots. Framed 3:4 for a feed post rather than a full-screen story.
The same six-shot couture film rendered on Wan 3.0, fed four photographs of the saree instead of three. The extra angle is what holds the embroidery steady as she turns, so reach for this one when the garment is the thing being sold rather than the mood.
A 30-second devotional film with no words. A monsoon night, a temple corridor, every diya going out, and something enormous outside. Then Maa Durga at the doorway with her lion, the trishul raised, and sunrise after. Send one photograph and you are the woman in the red saree who runs to her.
outputYour character at a stable in riding boots and a fitted jacket, standing beside a horse under flat weathered daylight. The prompt keeps the face and drops the reference photo clothing, pose and background entirely.
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outputAn eye-level three-quarter shot outdoors beside low foliage, torso angled in and hands loosely clasped. Square format, so it sits well in a grid.
outputA three-quarter shot from slightly below, against a massive rough stone wall. The garment is described down to the chevron weave, so the model has something specific to hold onto rather than inventing a knit.
outputYour character reading on a windowsill in a tall glasshouse, ferns crowding the panes. Mint and pale gold under flat overcast light — a quiet frame rather than a hero shot.
outputAn unposed shot at home — soft loungewear, a sofa, a blanket, one warm lamp. The counterweight to the studio templates: this one is meant to look like nobody was working.
outputYour character on wet cobbles beside a flat canal at first light, in an oatmeal wool coat. A muted nordic palette and pale grey light, with skin texture left alone.
Every tool here works on the same person. Cast a character once from a few photographs, then generate images from a sentence, video from a photo, reference-guided shots, photoshoots and upscales — and get the same face back each time. That is the part most tools leave to luck. No visible watermark, and commercial rights are included.
Ochra is a studio built around one character: create a face once, then keep it recognisable through every image and video you make. That covers text-to-image, image-to-video, reference-guided shots, head and face swap, photoshoots and upscaling — with the same person across all of them. Made for creators, marketers and brands.
Yes. As between you and Ochra, you own what you generate and you may use it commercially — for marketing, social media, advertising and business use. Where a model provider's own terms are stricter than ours you must follow them too, and AI output may not be protected by copyright in every country.
No. Ochra does not add a visible watermark to anything you generate. Some model providers embed an invisible provenance mark in their output, which does not show in the image or video.
Most tools make one good picture and forget the face. Ochra holds a character across shots — the same person, wardrobe and setting through a whole sequence — so you can shoot a campaign rather than a single frame. Batch generation, output up to 4K on the models that support it, and no visible watermark.
